Experience the Magic of Music- Mesmerizing Sound & Techniques of Sitar
With Young Sitar prodigy Debaditya Chakraborty
About the Artist
Musical Journey
Musical Style & Repertoire
Shri Debaditya Chakraborty, a young sitar virtuoso from the prestigious "Senia-Maihar" Gharana, cultivated his musical passion from a tender age under the tutelage of Prof. Lovely Sharma (Former Vice Chancellor and Sitarist) and his father a world renowned classical Guitar maestro and Guru Prof. (Pt.) Debasis Chakraborty. He currently st
Shri Debaditya Chakraborty, a young sitar virtuoso from the prestigious "Senia-Maihar" Gharana, cultivated his musical passion from a tender age under the tutelage of Prof. Lovely Sharma (Former Vice Chancellor and Sitarist) and his father a world renowned classical Guitar maestro and Guru Prof. (Pt.) Debasis Chakraborty. He currently studies under the renowned Sitar and zitar maestro, Sri Niladri Kumar. His training extends to a distinguished lineage of maestros including Late Pt. Brij Bhushan Kabra (Indian classical guitar), Late Padmashree Pt. Bhajan Sopori (santoor), and Ustad Alam Khan (son of Ustad Ali Akbar Khan), amongst others. This diverse training has enabled him to master various styles and techniques.
Musical Style & Repertoire
Musical Style & Repertoire
Shri Chakraborty’s performances blend traditional and modern approaches. His playing incorporates the ancient Gayaki and Tantrakari styles, showcasing the intricate patterns of the Surbahar and Veena, while seamlessly integrating modern chord progressions and harmonic elements. His “Layakari” (rhythmic improvisations) are particularly c
Shri Chakraborty’s performances blend traditional and modern approaches. His playing incorporates the ancient Gayaki and Tantrakari styles, showcasing the intricate patterns of the Surbahar and Veena, while seamlessly integrating modern chord progressions and harmonic elements. His “Layakari” (rhythmic improvisations) are particularly captivating, adding depth and dynamism to his recitals. His repertoire encompasses both traditional classical compositions and popular folk melodies.
Collaborations
Collaborations
Debaditya have collaborated with various artists over the years, including singers, songwriters, and composers. I believe that collaboration is key to creating great music and love working with other talented individuals.
About Debaditya
Educational and Professional Background
- Education:
B.Sc. (Botany)
M.Sc. (Plant and Microbial Biotechnology)
M.Phil. (Ethnobotany)
B.A. – Sangeet Prabhakar (Sitar)
M.A. (Sitar) - 18 years of experience in the field of Sitar and Indian classical music.
- Former Sitar mentor and faculty member at The Foundation Room, Mumbai (3+ years experience of teaching in guidance of maestro Niladri kumar).
- Former member, National Social Service (2016- 2021).
- Ex-Head, Cultural Committee (Faculty of Science, Dayalbagh Educational institute,Agra from 2017-2020).
- Volunteer work with HelpAge India (2005).
- Head Student Representative, Department of Botany and Sciences, Dayalbagh Educational Institute, Agra (2016-2021).
- Fundraising for Global Cancer Concern India (2007)
- Post-graduate research dissertation done on the topic: "The effect of Sitar and Surbahar on Andrographis paniculata (Kalmegh)"
- Achievements and Honors:
- Guinness World Records recipient (2008, Art of Living).
- Three-time consecutive winner of the Sangeet Natak Akademi Music Competition Award (Ministry of Culture, State and National levels, 2011-2013).
- Recipient of the "Kriti Samman" (Mangalayatan University, 2010).
- Recipient of a CCRT scholarship (Ministry of Culture, 2009).
- Three-time consecutive winner of the Indian Universities Music Competition (1st place state level, 2nd place national level, 2017-2019).
- First place winner, Dayalbagh Educational Institute Music Competition (2016).
- Multiple performances in the Taj Mahotsav (Ministry of Tourism and Culture).
- Multiple performances in the Taj Mahotsav (Ministry of Tourism and Culture).
- Performance at the "Celestial Synergy" (Fresno State Music Department, California, 2021).
- Numerous performances at prestigious universities and cultural events across India.
- Recipient of the "Best Music Production" award for the theatrical production, "Dance Like a Man" (2016).
- "Gaurav Samman" recipient as Young Sitar Player (Sainath Foundation, Chhattisgarh, 2023).
- "Best Teacher's Award" recipient (Blind Organization, M.P. Govt., Bhopal, 2023)
- "Kala -Gaurav award" recipient ( By Sangeet Kala Kendra, Agra), 2024
- Felicitated by Dr. Hari Singh Gaur Central University,Sagour (madhyapradesh) for Lecture - demonstrate in field of evolution in playing techniques in instrumental music, 2025
Research Works and Publications
The Portrayal of String instrument in Ragamala paintings: An in-depth study
Ragamala paintings emerged in the 16th century as a visual representation of Indian classical music. These intricate artwork compositions depict ragas and raginis (female ragas), which are associated with particular melodies, time cycles, and moods. One significant element found in Ragamala paintings is the portrayal of musical instruments. Ragamala paintings are a form of Indian miniature paintings that depict musical modes or ragas in a visual format. These paintings are known for their intricate detail and vibrant colors, capturing the essence of Indian classical music. One of the recurring elements in Ragamala paintings is the inclusion of string instruments, which play a significant role in portraying the mood and character of the musical raga. This research paper aims to explore the role of string instruments in Ragamala paintings, using a case study approach to examine specific examples and analyze their …
Google Scholar 🆔 Profile
Asthetical and Technical aspects of traditional Composition in indian classical music
My article is on the: Asthetical significance and emotional appraisal in Raga Miya ki Todi
ISBN : 978-81-973308-1-0
Publisher: Associate Publishing House,Agra
Institute of Music
Strings Square
